My sixth drawing for Inktober 2022 is a bad bear who just threw open the door!
As usual, this was created in Procreate. I used the Procreate Pencil brush for sketching, the Syrup brush for linework and shading, and the Clouds and Old Beach brushes for texture.
I was feeling very uninspired for this one. Originally, I wanted to just make a hulking creature being silhouetted against the door, but felt like it didn't look menacing enough once I started going down that route with it. Eventually, I just made it into a bear.
If you watch the time-lapse below, you'll see that I meandered a lot in the middle, experimenting with adding a second, smaller bear hiding to the side. I gave up on that though, because it felt too much like an adult being threatening towards a child. Even though they are bears. Oh well.
I never expect online games to have a smooth launch, but I'm still disappointed when they don't. Especially when they are built on top of an already-function game, as is the case with Overwatch 2.
Yesterday at 11:58 AM, I logged in to try out the newly updated game. It placed me in a queue of people waiting to play, 30,000 long.
The queue moved relatively quickly, and after about 20 minutes, there were less than 1,000 people ahead of me. A few more minutes, and then the opening video played. I'd never sat through it before, so I figured I'd watch.
About 20 seconds into the video, the game kicked me back out to the queue screen - I'd been disconnected and needed to rejoin. Great! I jumped back into the queue, which was now 40,000 people long.
I got to around 20,000th place before I was met with a message telling me my game lost the connection to the server.
Only until around 8:30 PM that night was I able to get in and try a couple of matches. One shit-show where nobody worked together, and then a game that started pretty well - and then I got disconnected.
Frustrated, I closed the game and got back to my Assassin's Creed Valhalla game.
Now, today, I've tried to connect to Overwatch 2 multiple times, and each time I've been disconnected after a few minutes of waiting in the queue. Only just now (with no time to actually play!) is the queue slowly grinding down without a disconnect.
I didn't have super high hopes for Overwatch 2 - and I still don't. But I can't even play the damned thing.
My fifth illustration for Inktober 2022 is a scientist tinkering with his robot buddy - as the robot looks on.
I always like drawing robots, but I wanted to switch it up a little this time and have a little story in the frame. I still can't make up my mind if the scientist is "mad" or not.
Created in Procreate with an iPad Pro and Apple Pencil, using the Procreate Pencil brush for sketching and the Syrup brush for linework/shading.
If you're curious how this one was made, here's the time-lapse:
This is my fourth illustration for Inktober 2022 - a gangster squid man!
Created in Procreate with an iPad Pro and Apple Pencil, using the Procreate Pencil brush for sketching, the Syrup brush for linework, and the Old Beach and Hartz brushes for background texture.
If you're interested in how this one came together, here's the time-lapse:
My third illustration for Inktober 2022 is a flashlight laying on the ground.
I had slightly higher hopes for this one when I started, but I'm not unhappy with it. If I were to spend more time on it, I'd probably change the perspective of the shadows a bit and add some more lighting to the background.
If you're curious how this one came together, the time-lapse is below!
It's October today, and that means another Inktober project. This is the first drawing for the month, and I'm looking forward to getting back into the groove with my iPad Pro and Procreate, which I've been sort of neglecting lately.
I hope you'll join me as I create a new illustration each day of the month!
Oh, and here's the time-lapse for this one, if you'd like to see how I made it:
I'm currently a Game Pass subscriber, and so that leads me to try a lot of games I might not have otherwise. One such game, Unpacked, is frequently touted as a fun, relaxing experience - but it just sort of makes me anxious.
In Unpacked, you work through a series of scenarios that tell a story about the stages of a person's life as they find themselves living in a number of different locations. These are mostly apartment-ish settings, which have three or four rooms. At the start of each level, each room is empty, save for a bunch of boxes. You play the game by unpacking them and placing their contents around the rooms.
It's a simple premise. And I guess I get how it could be relaxing to some people. But to me, the deeper I get into each box, all I can do is worry!
Am I going to run out of space on the bookshelf?
What is this item, and does it actually belong in the kitchen?
Wait, there's a whole other room to unpack?!
By the time you're done, the rooms in Unpacked feel cluttered with tchotchkes. As I dig them out of the boxes, all I want to do is throw them into the trash. It makes me want to go through all my things IRL and purge.
Anyway, I'll go ahead and finish the game for the achievements, I suppose. But only in small bites because I just can't take it otherwise.
I recently finished working on my HT3DR demo/prototype, and released it on the world two days ago. So far, people seem to like it, and that makes me happy.
I've done a few write-ups here and there to get the word out and promote it. One, in particular, dove into a few details I haven't talked about elsewhere, so I thought I'd share it here in case anyone might find it interesting:
Greetings fellow GameMaker users!
I recently finished putting the last touches on a game demo/prototype for a game called HT3DR, which is a remake/re-imagining of my old (and I like to consider, classic) GameMaker game, Hover Tank 3D. You can play the new game here: https://martincrownover.itch.io/ht3dr
I released HT3D way back in 2006! It is a complete game that took me over a year to put together, and though it looks a bit dated by modern standards, I am proud of it - especially considering the awful tools I had to use, and my complete lack of knowledge for building a thing like that.
I took a long break from GameMaker before working on this game, and I took it up as a challenge to see how much better I could do this time around, how much closer to my vision I could make it, and to get re-acquainted with GameMaker and its new features.
It took me 4-5 months to make my HT3DR prototype, and I ended up learning a lot - and so as I share my work with you, I thought I might share some of the things I learned as well.
Animation curves are incredibly useful
Before this project, I'd never used the new-ish animation curves feature in GameMaker. I had built a set of scripts many projects ago that emulated the common easing functions you find in other languages, like jQuery, through code, and I dropped them into all my projects. They were cumbersome to use, but they got the job done.
Animation curves take a lot of the guesswork out of things. It's easy to make a single animation curve asset for a particular action, like the purple "Swooper" ships in HT3DR, which contains all the different curves for their takeoff, landing, and A-to-B movements.
Batching helps
When I first started working on HT3DR, I was concerned about how well the game might run, even on my beefy computer - so I spent a lot of time making sure that as I added things to the game and tested them, the framerate wasn't dipping much.
At some point I was satisfied with performance and started just building out my demo level in earnest. I removed the FPs counter from the game as I tested the HUD, and never noticed a slowdown as I worked.
Once I had the near-final build of the level built, I started becoming curious about how things were running behind the scenes, and so I started testing performance again, and I was a little shocked to see that merely having a level full of walls (without enemies) had slowed the "real" fps from ~3,000 to ~300.
300 real fps isn't really that bad, but I wanted to cut down on waste. All my wall objects (1m, 2m, 4m, and convex/concave corners) all share the same texture, and they made up the majority of the level parts, so I wrote an object that batches them all into a single draw call, as opposed to over a hundred. The result was an increase of about 50-100 real fps, which seemed like a good gain.
If I work further on this project, I might eventually consolidate all the static buildings into one draw call - maybe even the same one as the walls - and just merge them all into using one giant texture. Currently, the largest textures the game uses are 1024x1024.
Use state machines
All of the more complicated objects in HT3DR use a form of state machine to help sort out the code. For enemies, each object has a "state" variable and a "tick" counter, and uses an alarm timed to the tick. Each time the alarm fires, it calls a custom user event whose number corresponds with the state, which is responsible for doing whatever it ought to do. It then resets itself with the tick value, which can change based on the state.
This simple setup lets me have enemy AI only evaluate a few times every second, and it keeps the code from getting super long and becoming hard to debug just based on size.
The biggest drawback to this approach is GameMaker's hard limit of 16 custom user events, but I was able to keep my most complicated object (the end-level boss) under the limit pretty easily, so it worked out alright. Your mileage my vary, of course.
Parents and variable definitions keep things simple
I've been using GameMaker since around 2002, and I'm a little ashamed to admit that I haven't made much use of parent objects up to this point. I had a bad experience getting them to work right way back in GameMaker 5, and I always found ways around using them. Not this time!
Parent objects in HT3DR were incredibly useful. I don't even know how I could have made this without them. Giving all my walls a parent, all my enemies a parent, all the projectiles a parent, etc. saved me so much time, and made coding collisions, sound effects, and more a breeze.
Variable definitions, which are a bit newer to GameMaker, were equally helpful. I set all my default settings for an object type as variable definitions, and then changed them only when needed in the child objects. It made dropping a new wall object into the game, for example, almost as simple as just exporting it from Blender. Since I don't have to worry about setting up collisions, bullet reactions, etc. - it's all just there, ready for me to use from the parent object.
Don't be like me. Use object parents. And use variable definitions.
Chip away at your project
As I get older, I seem to have less and less time for my hobbies - game-making included. And so some days, I wanted to add a big new thing to HT3DR, but I just didn't have the time. I learned to accept that, and just chip away at small stuff instead, and it made this project much easier to make progress on.
Try to do something every day or so. Make it a habit to keep working and tinkering, small or large. Whether you just add a new global variable, or you try some crazy idea and it ends up being something completely useless at the end of the day, at least you learned something. And tomorrow will be better because of that.
Writing your own shaders is challenging, but rewarding
I've been using the internet since the 90's and I don't think I'm bad at searching for things - but as I learned to make my own shaders in GameMaker, I found it incredibly difficult to find good resources explaining the what and why of it all. I know resources like Shader Toy exist, but without someone stepping you through what each bit of code is actually doing, even open source shaders can be hard to glean value from.
It was incredibly useful to hear him explain why he did certain things, what each step did, etc. In fact, I credit DragoniteSpam for unknowingly motivating me to get this project done. I would have never started it if I had had to contend with GameMaker's awful built-in 3D lights.
Don't re-invent the wheel
With that said, also don't re-invent the wheel. If others have done the work before you, utilize it. There's no shame in getting help.
I spent a few days working on my own bloom shader before admitting that it looked terrible. I poked around a bit for other solutions that might work, and came across the Post-Processing FX addon by FoxyOfJungle/Kazan Games.
I bought it, added it to the project, and a half hour later my bloom effect was just what I wanted - along with a couple of other effects that I wouldn't have added otherwise, like vignette and color/exposure adjustments.
This is an incredible tool, and I can't recommend it enough. I'm glad I didn't spend more time trying to make something inferior.
Backups are important, but source control is king
Using Github desktop is something that I've been doing for many projects now, but it really takes the pressure off of making big changes to a project.
In the old days, I would have saved a new version of the project before making big changes, and I would have constantly weighed my want to do so against not wanting to store hundreds of copies of my files. With Github, I just committed my project, made the big changes, tested, and committed again if everything went fine. Easy.
This made a couple of operations, like loading my project up in VS Code and doing a find/replace across the entire project, a lot less stressful. 😅
Find something you love and just make it
Many people are already doing this, but it doesn't hurt to restate it: if you have an idea, just try to build it.
In game development, my best projects are always the ones that I care about the most, and the ones that I spend time thinking about when I'm not actively working on them, and they only get to that point when I actually sit down and just start working on them.
Back in 1993, after I first played Starfox and saw the possibilities for even early 3D games, I fell in love with this stuff. I am an artist, and was learning how to draw in perspective around that time, and I drew so many basic polygonal images influenced by that game. One of those drawings was a tank, and it served as the inspiration for all of this - a thing that's been bouncing around my brain for almost 30 years.
I know an empty project is a daunting proposition, but it's so rewarding and fun to see your ideas come to life - and it has to start somewhere. Make a thing!
Labor Day is winding down, which means that Chalk It Up 2022 is drawing to a close. It's currently 105° F outside and supposed to get up to 111° today. Yikes.
I'm happy I was able to get in and out quickly on the first day of the event, and get my art done before the heat rolled in. It makes a huge difference to the quality of my Labor Day weekend to be done early and have some time to recover. It's always surprising to me how much of a physical exertion it is to lay out on the sidewalk for a few hours putting down chalk dust.
It was nice to get out and do something, too. Doing art isn't always a public/performative thing for me, so it's fun to do it in the middle of where people are and get all the instant feedback that comes with that.
The people-watching is always great. Once I finished, I sat and waited for my family to get there to see, and I got a kick out of the things that unfolded in front of me as the small crowd walked by.
Lots of people really liked to see the bacon and eggs. At one point I heard a kid shout "juevos!" as they approached. Multiple people mentioned that it either made them hungry for breakfast, or that they had the same meal for breakfast, and I got to hear plenty of peoples' preferred egg preparations.
Then I came home, rested, and hung up some new blinds in our dining room the next day.
